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NEW YORK (AP) — Two freelance journalists with projects focused on Black nationalism and the aftermath of the Uvalde school shooting have won the American Mosaic Journalism Prize, which honors work about underrepresented groups in the United States. The journalists, Dara T. Mathis and Tamir Kalifa, were each awarded $100,000 from the Heising-Simons Foundation. That's believed to be the largest prize in dollar value given to journalists in the United States. “As a Black writer, I am keenly aware of how the stories of marginalized people are excluded from the archive,” Mathis said. “My work as a journalist seeks to connect silenced histories to our present day.”Photojournalist Tamir Kalifa won for his work on the aftermath of the 2022 mass shooting at the Robb elementary school in Uvalde, Texas.
Persons: Dara T, Mathis, Tamir Kalifa, That's, ” Mathis, , Robb, Kalifa, he's Organizations: Mosaic Journalism, Simons Foundation, Black Liberation Locations: United States, The Maryland, Uvalde , Texas, Austin, Israel
Last year, Subway paid to install $6,000 slicers at the chain’s 20,000 US locations in response to its rivals serving freshly sliced meat. The results, so far, have been a “mixed bag,” according to Bill Mathis, the chairman of the North American Association of Subway Franchisees (NAASF), which represents as many as half of Subway locations on the continent. Franchisee’s flaring tensionsThe candor expressed by Mathis isn’t the first time franchisees have expressed their frustration with Subway. Subway, a privately held company, highlights praise from some franchisees during its periodic financial releases. In 2022, a release featured a quote from Donna Curry, a Subway franchisee that owns about 65 locations.
Persons: Bill Mathis, ” Mathis, , Mathis, he’s, , there’s, it’s, you’re, Mathis isn’t, Elisabeth DeLuca, Donna Curry, John Chidsey Organizations: New, New York CNN —, Subway, North American Association of Subway, Restaurant Business, CNN Locations: New York, NAASF
Alongside the comedy and drama, “Jaja’s” features a multitude of strand mastery, as Bioh and the director Whitney White (“Our Dear Dead Drug Lord”) were determined to show a range of hairdos coming to life onstage. To pull this off, most of these styles are executed in real time with a little stage magic courtesy of wigs constructed by the hair and wig designer Nikiya Mathis. Cast members, who braid hair onstage, practiced during rehearsals on wigs she designed for the performance. “There are so many moving pieces to the show that involve hair, and it’s not just me backstage,” Mathis said. “It’s also the actors onstage, it’s what Jocelyn has written, and it’s what Whitney will be helping us to reveal.”“Part of that,” she continued, “is going to be the magic of figuring out how we’re going to construct the wigs and how to potentially take them apart.”
Persons: Whitney White, , Nikiya Mathis, it’s, ” Mathis, “ It’s, Jocelyn, Whitney
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